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May unfolds as a sequence of openings, closings, and personal milestones. On May 1st, I’ll be at the opening at Kunsthalle Luzern at the Burbaki — stepping into a new exhibition, fresh perspectives, and that unmistakable energy of a first night. The very next day, May 2nd, marks the closing at B74 — a moment to look back, revisit, and say goodbye to what has been. On May 3rd, the journey continues with an event at Entlebucherhaus — another space, another atmosphere, another e

There are certain performances that don’t just live in history—they live inside people. For a struggling teenager, trying to make sense of noise both internal and external, Nirvana’s MTV Unplugged wasn’t just a concert. It was a quiet revelation disguised as fragility. It didn’t arrive with the aggression many expected. No distortion-heavy rebellion, no walls of sound to hide behind. Instead, it was exposed—raw, restrained, almost hesitant. And that’s exactly why it mattered

On Sunday afternoon, the Entlebucherhaus opened its doors to a vibrant celebration of contemporary art, welcoming visitors into a world where colour, form, and personal expression take centre stage. The exhibition, running from 19 April to 17 May 2026, brings together seven artists whose works reflect the richness and diversity of life itself. From the moment guests arrived between 2:00 and 5:00 pm, the atmosphere was alive with curiosity and conversation. The exhibition prom

Trust has always been one of the invisible foundations of art—less discussed than technique or theory, yet essential to everything from creation to exhibition. Across centuries, the way trust operates in the art world has evolved, but its importance has remained constant. In the time of Caravaggio (one of my favourite artist! ... oh medusa medusa .... ), trust was often bound to patronage. Artists depended on wealthy patrons, religious institutions, and powerful families not

April in and around Lucerne unfolds as one of those months where the art world feels especially alive—dense with openings, conversations, and the kind of overlapping events that make you wish you could be in three places at once. This year, the month began a little ahead of schedule—at least for those of us trying to keep up. Early April saw the opening at Factory Luzern with the exhibition “Icons – Pictorial Words” by Carmen Ibira and Simi Vogu. The show set a strong tone:

I recently visited “Nevermore,” the exhibition by Winston Roeth at Open Space Gallery, and it left a lasting impression on how I experience art. With the exhibition “Evermore,” Mono Art Space presents a retrospective in the form of an installation dedicated to the American artist Winston Roeth (born 1945 in Chicago). The artist’s most comprehensive solo exhibition to date in Switzerland offers insight into all the major groups of his work through approximately twenty pieces,

Ringo1986 didn’t begin with a dream. It began with grief. The kind that doesn’t just visit—it settles in, rearranges everything, and leaves you staring at a version of life you never planned for. A chapter marked by loss, by endings, by the quiet weight of death that changes how you see the world and yourself. But somewhere in that heaviness, something unexpected happened. Instead of closing off, Ringo1986 stayed open. Instead of hardening, I chose to remain vulnerable. And t

Slightly late, but it makes sense. #Ringo1986 A successful Exhibition of Nature & Forms' at the Gallery B74 in Luzern- full reflection. Though ... Curating an exhibition for the first time is often imagined as a purely creative endeavour—selecting works, shaping a vision, and bringing artists together under a cohesive narrative. In reality, it is something far more complex. When I took on the responsibility of curating six artists within a three-week timeline, the experience

In a world saturated with noise and relentless motion, photographer Luis Grana turns his lens toward something quieter—something often overlooked. In the heart of Luzern, where cobblestone streets meet the stillness of the lake and the hush of early morning light, Grana’s work invites us to slow down. His images do not demand attention; they earn it gently, revealing themselves in subtle textures, fleeting gestures, and the poetry of everyday life. Grana’s photography is less

What a start of 2026! Will be honest did not expect to have a such busy month of February and January. Will write a bit more about the exhibition I had but for now, let's dive into March month. March brings renewed energy to the art scene in Lucerne as the Mortal Walks return, guiding visitors through a dynamic lineup of exhibitions, openings, and finissages across the city. From early-month launches to a packed closing weekend, this month offers a continuous thread of artis

Luzern’s art scene is in full swing this autumn, and November is shaping up to be an exciting (and busy!) month for exhibitions, openings, and creative energy all around. Am sharing as a starting point and from my own perspective - but hey! One month at a time! 👹Ending Soon Let’s start with what you don’t want to miss : Etlebucherhaus is hosting the final days of “Von Farben & Formen” , a beautiful group exhibition by three talented women — Fierz, Herrera, and Schmid . The

It was a pleasure to meet Mr Achim in his studio. Learn about his work, journey and have opportunity to hear his voice and determination to be an artist without feeling judged - just following his own path. At the studio in Kriens, Mr Achim Scroeteler 1. What advice would you give to an artist who is just starting out in their artistic career? It's all about the intensity of your creative work. Ideally, you should spend 4-5 days a week experimenting and trying things out. Do

Es war mir eine Freude, Herrn Achim in seinem Atelier kennenzulernen. Ich habe viel über seine Arbeit und seinen Werdegang erfahren und hatte die Gelegenheit, seine Stimme zu hören und seine Entschlossenheit zu spüren, Künstler zu sein, ohne sich beurteilt zu fühlen – einfach nur seinem eigenen Weg zu folgen. Studio in Kriens Mr Achim Schroteler 1. Was würdest du einer/einem Künstler:in raten, die/der am Anfang ihres/seines Kunstschaffens steht? Es geht um die Intensität de